![]() As a result of the presentation, Schreiver personally financed production of 3000 doubloons for the 1960 Mardi Gras year, although the Krewe of Rex produced 80,000 undated doubloons using Sharpe's design, all minted by a firm in Ohio. He presented a design to Darwin Schreiver Fenner, who was the captain of the Krewe of Rex, the leading Mardi Gras organization of the time. Sharpe had his own metal dies for striking the doubloons from aluminum blanks. Mardi Gras doubloons were first created by New Orleans artist and entrepreneur H. The first doubloons used as throws from parades of Mardi Gras Krewes date to 1960, and these early doubloons are collectible. They are typically made of aluminum and are thrown from floats in carnival parades. Mardi Gras Doubloons are Mardi Gras throws shaped like coins that commemorate various Mardi Gras Krewes. As long your weaving makes you smile when you use it, that’s what really matters.Coin-like Mardi Gras throws commemorating Mardi Gras Krewes Example of a Mardi Gras Doubloon, from the Krewe of Zulu Weave the pieces that make you happy, and if beads in the fabric of a scarf don’t bother you, weave beads wherever you’d like. Remember, these tips are guidelines more than rules. Don’t want to do anything that fancy but want a similar effect? Consider instead using large, handmade beads in a similar way-I bet some Ghanaian glass beads would be perfection when used on tassels like this. Although in her article about the bag Alison focuses mostly on the kumihimo, the touch of peyote-stitched beads on each tassel elevates the whole bag to a new level. The result is subtle and elegant.įor a more showpiece-use of beading on a bag, you can take a cue from Alison Irwin’s gorgeous Not So Plain After All bag from the same issue and shown in the photo at top. In her A Bag for Janice (pictured above), from the Fall 2022 issue of Easy Weaving with Little Looms, Carla Jeanne Hubbart adds a couple of beautiful beaded strands to her fringe. You don’t have to worry about drape or placement of the beads and how they affect comfort. (Although, if anyone wants to make a shawl that emulates the wooden-bead chair covers so it doubles as a back massager, I would love to see it.)Ĭlose up on the tassel of Carla Jeanne Hubbart’s A Bag for Janice.īags are also a great project for incorporating beads into your weaving. Personally, unless I were using the smallest and most delicate of beads, I’d stick to putting them on the ends of the scarf. If you’re using beads in this way in a scarf or shawl that will be worn partially on the neck or back, having beads that can come between those two areas and a hard chair can cause discomfort. This can create an absolutely stunning effect, but you have to be careful. Deb Jarchow’s Chain Reaction shawl, shown above, is a great example.Īnother way to use beads in woven fabric is to place them within the web of the fabric itself. Go for small, lightweight beads and try to keep them to a minimum. Too many or too heavy beads in the fringe can weigh down the entire piece and destroy the beautiful drape of your delicate silk scarf. ![]() While this does give the piece a bit of sparkle, remember that less is more. ![]() ![]() One of the most common ways I’ve seen weavers use beads is to twist them in the twisted fringe of a scarf or shawl. The Chain Reaction shawl by Deb Jarchow from the Fall 2022 Easy Weaving with Little Looms. So here are a few tips to help you add beads successfully. On the flip side of the bead coin, they can also cause problems when it comes to actually using your piece. You can use them to add pops of color, texture, and even whimsy. Beads are a beautiful way to add a little extra something-something to a woven piece.
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